Books and Catalogues

Rakhee Balaram, Partha Mitter and Parul Dave Mukherji eds., Twentieth Century Indian Art, SKIRA, Milan, 2015.
Gerard Goodrow and Julia Ritterskamp, Passages: Indian Art Today, daabMedia, Cologne, 2014. Available on Amazon.
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Catalog for I Have Seen The Enemy And It Is Eye, 2009. Downloadable pdf version (5.9 mb). 40 pages, color, with an essay by Alan Gilbert
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Naomi Beckwith, "Fables"; Institute of Contemporary Art, Philadelphia, 2006
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Ragan Cole-Cunningham, Q&A with the Artist, "Counterparts: Contemporary Painters And Their Influences", Contemporary Art Center of Virginia, 2007
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Thomas Lawson, "Some Thoughts On The Practice Of Painting", catalog essay for "Counterparts: Contemporary Painters And Their Influences", Contemporary Art Center of Virginia, 2007
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Bennett Simpson, "Kanishka Raja: Many Places Become You"; Institute of Contemporary Art, Boston. 2005
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Robin Reisenfeld, "Hybrid IDs"; Boston Center for the Arts. 2001 (excerpt)
Articles and Reviews

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Sarah Rose Sharp, "A Spectacular Cross Section of Contemporary Indian Art", Hyperallergic, April 28, 2017
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Faheem Haider, "Politics Camouflaged As Ornamental Abstraction", Hyperallergic, April 9, 2015
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Mary Jones, "Post Impressions: Switzerland For Movie Stars", BOMBblog interview, March 2012
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Johon Masterson, ArtBite interview, March 2012
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Winners & Losers In The Art Gallery Shakeup
The New York Observer, March 9, 2011
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Olivia Sand, “Artist Profile: Kanishka Raja”, Asian Art Newspaper, March 2011, p.2
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The New Yorker, review. Oct. 24, 2010
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Joseph R. Wolin, Time Out New York, review. Oct 5, 2010.
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Alpesh Kantilal Patel, Critic's Picks, Artforum.com, Oct 2010
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Beth Citron, Artforum, review. May 2009, p. 258
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Zehra Jumabhoy, Art Asia Pacific, review. May 2009, p.152
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Deepanjana Pal, "Flying Returns", Time Out Mumbai, Mar 6, 2009, p. 61
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Sitanshi Talati-Parikh, ""Visual Maverick", Verve Magazine, Feb 2009, p.50
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Sarah Sargent, Artillery, Jan 2008, p. 43
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Meenakshi Thirukode, "Subtle Significnce"; The Hindu, May 11, 2008
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Alan Gilbert, "Terminal Condition: Kanishka Raja Boards At The Gate Marked 'Dislocation'", The Village Voice, Nov. 7 - 13, 2007, p. 49
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R.C. Baker, "Best In Show", The Village Voice, Nov. 14 - 20, 2007, p. 53
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Holland Cotter, The New York Times, Nov. 9, 2007, p. E28
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Joseph R. Wolin, "True Faith", Time Out New York, Aug. 9 - 15, 2007, p. 66
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Edward Epstein, Art Papers, "Philadelphia: Fables", review. Jan/Feb 2007, p. 64
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Holland Cotter, The New York Times, "Never Mind The Bollocks, Here's Amanda Lear", review, May 26, 2006, p. E21
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Merrily Kerr, Time Out New York, "I.M. Pure", review, Nov 10 - 16, 2005, p. 67
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Cate McQuaid, The Boston Globe, “Pattern and Perspective: Kanishka Raja's ICA Installation Bends
Time and Space”, Jan 28, 2005, p. C17
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Joanne Silver, Boston Herald, “ICA Gives ‘Birth’ To Raja's Bizarre Work”, Feb 4, 2005
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staff writer, "Datebook: Kanishka Raja", The New York Times, Jan. 14, 2005, pg. B22
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Geoff Edgers, The Boston Globe, "Indian-born Artists Raja Garners ICA Digitas Prize", May 6, 2004
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Ann Wilson Lloyd, Art In America, “Kanishka Raja at Allston Skirt” review, November, 2004
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Francine Koslow Miller, Art US, review, September/October 2004, p. 38
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C. Sean Horton, Art Papers, review, July/August, 2004, p. 48
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Thomas Garvey, Bay Windows, “Lost In the Funhouse”, April 22, 2004, p. 8
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Cate McQuaid, The Boston Globe, “Raja Successfully Navigates A Maze of Time and Space”, April 16, 2004
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Holland Cotter, The New York Times, Art In Review, April 9, 2004
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Gilbert Vicario, Contemporary, “Focus Boston”, November, 2002
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Francine Koslow Miller, Tema Celeste, review, March/April, 2002
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Jeet Thayil, India Abroad, "Cowboy or Indian?", Feb 22, 2002
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Cate McQuaid, The Boston Globe. "An 'Outsider' Interprets Interior Vistas", Jan 12, 2002
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staff writer, Boston Magazine, "The Short List: Our Top Picks for January", January, 2002
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Roberta Smith, The New York Times, Art In Review, Dec. 14, 2001
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Cate McQuaid, The Boston Globe, “In Lowell Exhibition, A Fusion of South Asian, American Cultures”, March 29, 2001
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Christopher Millis, Boston Phoenix,
“Groups du Jour”, June 8, 2001
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Jessie Glasser, The Justice, “Raja’s Art Embraces 'Schmaltz'”, November, 1999
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