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Books and Catalogues |
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Catalog for I Have Seen The Enemy And It Is Eye, 2009. Downloadable pdf version (5.9 mb). 40 pages, color, with an essay by Alan Gilbert |
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Naomi Beckwith, "Fables"; Institute of Contemporary Art, Philadelphia, 2006 |
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Ragan Cole-Cunningham, Q&A with the Artist, "Counterparts: Contemporary Painters And Their Influences", Contemporary Art Center of Virginia, 2007 |
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Thomas Lawson, "Some Thoughts On The Practice Of Painting", catalog essay for "Counterparts: Contemporary Painters And Their Influences", Contemporary Art Center of Virginia, 2007 |
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Bennett Simpson, "Kanishka Raja: Many Places Become You"; Institute of Contemporary Art, Boston. 2005 |
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Robin Reisenfeld, "Hybrid IDs"; Boston Center for the Arts. 2001 (excerpt) |
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Articles and Reviews |
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Beth Citron, Artforum, review. May 2009, p. 258 |
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Zehra Jumabhoy, Art Asia Pacific, review. May 2009, p.152 |
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Deepanjana Pal, "Flying Returns", Time Out Mumbai, Mar 6, 2009, p. 61 |
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Sitanshi Talati-Parikh, ""Visual Maverick", Verve Magazine, Feb 2009, p.50 |
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Sarah Sargent, Artillery, Jan 2008, p. 43 |
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Meenakshi Thirukode, "Subtle Significnce"; The Hindu, May 11, 2008 |
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Alan Gilbert, "Terminal Condition: Kanishka Raja Boards At The Gate Marked 'Dislocation'", The Village Voice, Nov. 7 - 13, 2007, p. 49 |
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R.C. Baker, "Best In Show", The Village Voice, Nov. 14 - 20, 2007, p. 53 |
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Holland Cotter, The New York Times, Nov. 9, 2007, p. E28 |
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Joseph R. Wolin, "True Faith", Time Out New York, Aug. 9 - 15, 2007, p. 66 |
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Edward Epstein, Art Papers, "Philadelphia: Fables", review. Jan/Feb 2007, p. 64 |
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Holland Cotter, The New York Times, "Never Mind The Bollocks, Here's Amanda Lear", review, May 26, 2006, p. E21 |
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Merrily Kerr, Time Out New York, "I.M. Pure", review, Nov 10 - 16, 2005, p. 67 |
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Cate McQuaid, The Boston Globe, “Pattern and Perspective: Kanishka Raja's ICA Installation Bends
Time and Space”, Jan 28, 2005, p. C17
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Joanne Silver, Boston Herald, “ICA Gives ‘Birth’ To Raja's Bizarre Work”, Feb 4, 2005 |
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staff writer, "Datebook: Kanishka Raja", The New York Times, Jan. 14, 2005, pg. B22 |
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Geoff Edgers, The Boston Globe, "Indian-born Artists Raja Garners ICA Digitas Prize", May 6, 2004 |
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Ann Wilson Lloyd, Art In America, “Kanishka Raja at Allston Skirt” review, November, 2004 |
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Francine Koslow Miller, Art US, review, September/October 2004, p. 38 |
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C. Sean Horton, Art Papers, review, July/August, 2004, p. 48 |
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Thomas Garvey, Bay Windows, “Lost In the Funhouse”, April 22, 2004, p. 8 |
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Cate McQuaid, The Boston Globe, “Raja Successfully Navigates A Maze of Time and Space”, April 16, 2004 |
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Holland Cotter, The New York Times, Art In Review, April 9, 2004
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Gilbert Vicario, Contemporary, “Focus Boston”, November, 2002 |
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Francine Koslow Miller, Tema Celeste, review, March/April, 2002 |
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Jeet Thayil, India Abroad, "Cowboy or Indian?", Feb 22, 2002 |
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Cate McQuaid, The Boston Globe. "An 'Outsider' Interprets Interior Vistas", Jan 12, 2002 |
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staff writer, Boston Magazine, "The Short List: Our Top Picks for January", January, 2002
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Roberta Smith, The New York Times, Art In Review, Dec. 14, 2001 |
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Cate McQuaid, The Boston Globe, “In Lowell Exhibition, A Fusion of South Asian, American Cultures”, March 29, 2001 |
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Christopher Millis, Boston Phoenix,
“Groups du Jour”, June 8, 2001 |
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Jessie Glasser, The Justice, “Raja’s Art Embraces 'Schmaltz'”, November, 1999 |
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Selected Website Listings |
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